Promo put together by WIRED Italia shows a history of modern technology, with a file created on an early Apple gets transferred from machine to machine:
Innovation is not technology but culture. Something able to travel through time thanks to the enthusiasm and passion of people. Here’s the story of an information flow in its switching between different machines, different formats and file-extensions, different communication protocols and over almost 30 years of technology, from the ZXSpectrum of 1982 to the 3D printers of today.
This is how it works. A Macintosh SE/30 displays a file on its screen and saves it as WIRED.TXT on a floppy disk. The floppy is read using a serial peripheral device connected to an IBM Thinkpad. Changing the file-extension from .txt to .jpg, you are seeing the text for what it was originally: a barcode image, which you can open and display with dPaint. The barcode is interpreted by an app that uses a smartphone camera. It’s an http address. The address is copied and sent via SMS to an old Nokia5410i. This Nokia model was among the first to send emails, so it can transfer the SMS text to the email client of an iPad. The iPad activates the address which was written in the email. It’s a .htm page containing a link to a downloadable file: WIRED.WAV.
The file is played and connected with a mini jack to the audio port of a ZXSpectrum. The Spectrum detects it as a .TAP file, a faithful reproduction of audio cassette format which Spectrum used to play and save contents. The programme inside the WIRED.TAP file is a slideshow loading a single image: a QRcode. The QRcode is photographed using a small digital camera. The photo, stored in the SDCard, is read from a laptop and loaded into an album on Wired Facebook account. An eBook page appears in the browser mode. The eBook is scanned, the QRcode image is cropped and then printed on special paper for heat transfer and then ironed on a T-shirt. T-shirt is photographed with an iPhone that reads QRcode for the url it contains. The iPhone sends the address to a laptop: it’s a page containing the WIRED.STL file. The laptop uses this file to produce the Wired logo with a RepRap 3D printer. That’s it. Easy, right?
The collection Thalie is based on a dialogue between an industrial process and an artisanal finalization. It is composed of a plate, a fruit bowl and a bread basket. Inspired by handcrafts like crochet or knitting, I approximated the characteristic of the metal sheet close to a textile quality. The chemical etching allowed to cut a sheet of spring steel in a very precise and fine manner in order to produce my patterns. These two dimensional elements are afterwards manually transformed into volumes with the help of a metal wire. Thus irregular and sensual forms result from a first very mechanic drawing.
edited by Artecnica material spring steel, small wire exhibition design parade 7, 2012 context ECAL, 2012
dataSTICKIES are the next generation of data portability. They are graphene-based flash drives that replace USB pen drives and hard discs.
USB-based drives can be inconvenient to use as the positioning and insertion of the drive in the USB slot needs to be done precisely. When the slots are at the rear of a device, as is the case for many desktop computers, this task becomes even more troublesome.
dataSTICKIES solve this problem by carrying data like a stack of sticky-back notes. Each of the dataSTICKIES can be simply peeled from the stack and stuck anywhere on the optical data transfer surface (ODTS), which is a panel that can be attached to the front surface of devices like computer screens, televisions, music systems, and so on. The special conductive adhesive that sticks the dataSTICKIES to the ODTS is the medium that transfers the data. This special low-tack, pressure-sensitive adhesive is capable of being reused without leaving marks like a repositionable note. When the dataSTICKIES are being read by the device, their edges light up.
The focus on “Vertical Net Structures” for the DRX 2013 was a continuation of last year’s investigation into innovative structures for the design of high-rise buildings. Driven by the increasing demand for supertall buildings, we developed integral structures that define interesting interior spaces through controlled articulation without compromising the integrity of the system. Questions of structure, circulation and program distribution had to be addressed in a prototypical building of approximately 450m height.
The aim was to understand forces as vectors in order to develop 3-dimensional spatial nets. These systems were developed and based on profound research in various areas such as high-rise structural systems, natural systems as well as form-finding techniques. Throughout the DRX, these systems were further informed and transformed into highly constrained, feasible proposals for tall buildings.